Friday, March 25, 2011

Christina Rosenvinge concert in Bilbao (18-03-2011, Kafe Antzokia) in mature woman's mouth

If every singer, band or artist in general, is now I think it is undeniable that Christina Rosenvinge is experiencing the best of his career with a tour of the young Dolores. She was young is rather limited (it is about to turn 48 years old) but seems to have drunk the elixir that makes it more attractive as time passes.

Pain caused by love, to a greater or lesser extent, have suffered all and on Friday the share in the confessional that became a Antzokia Kafe half of its capacity. It seems that the shared damage more bearable and eventually all come out of there in love with the same person. Sorry if it was a big fan I am now even more.

A concert entirely in Castilian based on their last two albums, your upper lip and the young Dolores, which combine perfectly live, not wanting to remember this time there were other earlier stages which had fewer fans and everything was much more arty. The Madrid has matured, it is safer, stomping on the ground where it is, and with feet on the ground.

Could liarme to release a whole list of positive adjectives about their concert but I prefer to emphasize that view is mainly live sensuality. The image of those legs in heels under the keyboard is not so easily forgotten. Forget dancing, barely moving a foot, this is about enjoying all the little nuances that are accentuated if you are lucky enough to hug your partner.

Beside me two women were kissing and I felt excited at the number of women who are hidden in this latest album, all a hymn to femininity. On stage drums, bass and Charlie inseparable Bautista on guitar on whom a significant weight of the concert that we hardly realize it. She gets all the attention and all eyes (obscene or not) of a mature and public also true Peter Pan complex, while the keyboard is alternating with the guitar, singing with his whispery voice barely speak to us rather than thank us.

In all, women. Hour and a half, seventeen songs in one setlist no surprises in which we offered what we all wanted to hear. I have brought this crumpled paper with all of them wondering whether it will be his handwriting. At the exit there was vinyl and place in a small little stalls selling Rosenvinge of paper with a pile of clothes to dress and undress to your liking, as if we were still old enough to play with these things.

If I bring you directly get kicked out of home.

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